Here's a rare and strange clip: Legs & Co. appearing at the 1979 British Rock & Pop Awards, dancing to a medley of hits from 1978. But what's going on? There are three separate sections, with three sets of costumes, and they're fairly obviouslly designed for a quick on-the-fly change: the basic colour-coded one piece outfits stay the same throughout, with accessories added (first the tied-on skirts, then the big overcoats and spangly bowler hats, and finally the sparkling tops). So why then is there an obvious video edit at each costume change? Did the quick changes not really work properly? Whatever the reason, the edits do weaken the whole live-on-stage performance feel. I couldn't swear to it, but I'm pretty sure that these sorts of event weren't usually broadcast live on the night back then: more likely would be an edited hoighlights show on the next evening.
The records featured in the medley are: Rod Stewart's "D'Ya Think I'm Sexy?", The Bee Gees' "Night Fever", Brian & Michael's "Matchstalk Men" and "You're the One That I Want" from the Grease Soundtrack. The less said about the choreography to the third number the better: except that I doubt anyone else could do better, giving the awefulness of the material.
I would guess that Flick (I'm assuming the choreography is hers) didn't have any say in the camera positions, moves & angles, or even any knowledge of them beforehand: so she's had to choreography the performance towards the audience in the room, rather than to the cameras. This, combined with the music being a live studio band arrangement of the music, rather than the hit records themselves, gives the whole performance a light-entertainment, ITV, Brian Rogers/Dougie Squires "feel". Even Davis "Kid" Jensen has been made to wear a tie. Aesthetically unsatisfying, but a fascinating piece of history nonetheless.
Thanks once again to pattiforPM for this clip.
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